Jurnal PERANCANGAN MOTIF BATIK DENGAN INSPIRASI RELIEF ORNAMENTASI CANDI KIDAL SEBAGAI PENGEMBANGAN CORAK BATIK DESA KIDAL | Nafi’ah

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Jurnal PERANCANGAN MOTIF BATIK DENGAN INSPIRASI RELIEF ORNAMENTASI CANDI KIDAL SEBAGAI PENGEMBANGAN CORAK BATIK DESA KIDAL | Nafi’ah

Azizah, Zuliva Dwi. Flora and faunal deformation in Batik Motifs in Class VIIIC Learning of Art and Culture in SMPN 1 Turi. Thesis,

Yogyakarta: Yogyakarta State University, 2015.

Basudewa, Dewa Gede Yadhu, and Coleta Palupi Titasari. “Equality of Kala-Makara Ornaments with Karang Bhoma: Case Study in Pura Dalem Desa Pohmanis Village.” Archaeological Forum 28, no. 3 (2015): 177-186.

Gartika, Liansari Wahyu. Designing Batik Motives with Ideas for Sangiran Archaeological Site Collection Ideas. Thesis, Surakarta: Sebelas Maret University, 2015.

Hunter, Thomas M. “The Body of the King: Reappraising Singhasari Period Syncretism.” Journal of Southeast Asian Studies 38, no. 1 (2007): 27-53.

Kandeler, Riklef, and Wolfram R. Ullrich. “Symbolism of plants: examples from the European-Mediterranean culture presented with biology and history of art: JULY: Lotus.” Journal of Experimental

Botany 60, no. 9 (2009): 2461–2464.

Mabbett, I. W. “The Symbolism of Mount Meru.” History of Religions, 1983: 64-83.

Mulianingrum, Novika. The Majapahit Temple relief artifacts of the Mojokerto Trowulan Museum Collection as a Source of Majapahit Batik Design Development Ideas. Thesis, Surakarta: Eleven University

March, 2013.

Prahastuningtyas, Yashinta, and R. Eka Rizkiantono. “Designing a Kediri-style Batik Motif.” Journal of Science and Art

ITS 5, no. 2 (2016): 237-242.

Salma, Irfa'ina Rohana, Anugrah Ariesahad Wibowo, and Yudi Satria. “Coffee and Cocoa in Creative Jember Batik Motifs.”

Craft Dynamics and Batik 32, no. 2

(2015).

Scheurleer, Pauline Lunsigh. “The Well-known Javanese Ststue in the Tropen Museum, Amsterdam, and Its Place in Javanese Sculpture.” Atribus Asiae 68, no. 2 (2008): 287-332.

Stutterheim, Willem. “Eine Statue des Javanischen Königs Krtanagara in Berlin?” Berliner Museen (53) 3 (1932): 47-50.

Turaeni, Ni Nyoman Tanjung. “Adi Parwa Application in the Relief Site of the Kidal Temple.” Archaeological Forum 28, no. 2 (2015): 131-144.

Utami, Indah Wahyu Puji, Slamet Sujud Purnawan Jati, Ari Sapto, Joko Sayono, and Lutfiah Ayundasari. “Relief of the Kidal Temple as Inspiration for the Development of the Typical Village of Kidal Batik for

Community Empowerment.” Praxis and Social Dedication Journal 1, no. 1 (2018).

ward, William E. “The Lotus Symbol: Its Meaning in Buddhist Art and Philosophy.” The Journal of Aesthetics and Art Criticism, 1952: 132-146.

Widodo, Triyono, and Ponimin. “Sentgen Prigen Batik Product Design Welirang Artistic Mountain Slope and Character.” Journal

of Art, Design, Art Education and Culture Studies 2, no. 2 (2017): 63-73

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